Shade works with artists, galleries and institutions to present art through audio.
Featured voices of Amy Sherald, Ming Smith and Liz Johnson Artur for Shade Podcast.
Shade, Lou Mensah
Shade Media was founded in 2019 by photographer Lou Mensah to create an independent space for Black artists and creative practitioners to discuss their work authentically.
Projects
Shade works with museums, galleries and charitable foundations, as well as with individual artists, on collaborative projects.
- Hauser & WirthUnencumbered Voices in Curated Spaces
- Tate
- British Council
- Frieze

British contemporary sculptor Thomas J Price subverts stereotypical representations through sculpture, film, and photography. He discusses freedom of expression in art, inspired by Sir Frank Bowling.

LA-based critic and writer Silas Munro, partner at graphic design studio Polymode, discusses freedom of expression in art, inspired by Sir Frank Bowling's life and work.

Michael Ohajuru works with UK national galleries and museums to highlight Black presence in Renaissance Europe. This three-part series explores freedom of expression, inspired by the life and work of Sir Frank Bowling.

Dream Recurred features Amy Sherald sharing her reflections on her art and her 2022 work, For Love, and For Country.

Portals features Cassi Namoda reflecting on her artistic practice and her 2022 work, Worship at Bar Mundo.

Where the Sun Sleeps features photographer Ming Smith reflecting on her practice and her 1985 work Circle of Life (Hakone, Japan).

Mandala features sounds by limited verbal artist and Turner nominee Nnena Kalu creating an untitled work, alongside the voice of ActionSpace Associate Artist Charlotte Hollinshead.

Drexciya features Phoebe Boswell reflecting on her artistic practice and her project The Black Horizon: Do We Muse on the Sky or Remember the Sea?

Forgetting Eden features Rahima Gambo sharing reflections on her artistic practice and projects Education is Forbidden and Tatsuniya.

A sound installation by Lou Mensah and Axel Kacoutié at Tate Modern, responding to Liz Johnson Artur's Time Don’t Run Here, referencing her Black Balloon Archive.

Venice Biennale 2024. Shade Podcast in conversation with Sir John Akomfrah about his British Pavilion commission Listening All Night To the Rain.

Dale Berning Sawa in conversation with Sir John Akomfrah about his British Pavilion commission Listening All Night To the Rain, for Shade Podcast.

Dale Berning Sawa interviews Tarini Malik, Curator of John Akomfrah's Listening All Night to the Rain at Venice Biennale 2024. Recorded at the British Pavilion on opening day.

Frieze supported the work of Lou Mensah and Axel Kacoutié through this video commission where they discuss the ideas behind their Interludes series.

Lou Mensah and artist Larry Achiampong highlight The Runnymede Trust and Freelands Foundation research into access into the visual arts for Black, Asian and ethnically diverse students in the UK.

Birmingham-based multi-disciplinary artist Exodus Crooks explores self-determination and spirituality through installation, film, and text. They discuss their practice and offer advice on inclusive curricula.

Dr Sadegh Aleahmad, Iranian-born multidisciplinary artist based in London, discusses art education work beyond the classroom, enabling new ways of thinking and creating in the community.

London-based artist and educator Shepherd Manyika discusses teaching as artistic practice, exploring how educators can develop diverse and ambitious approaches to art education.

Carey Robinson, Deputy Director of Learning at The Fitzwilliam Museum, reflects on the Visualise report recommendations and imagines new directions for art education in the UK.

Zakia reflects on how memory and legacy influence our way of seeing, and how our contemporary eyes judge the face of history.

DJ Nabihah Iqbal explores the many trinkets and secrets, hidden in the open at Sir John Soane's Museum, in London.

Editor and broadcaster, Kayo Chingonyi at the Graves Gallery in Sheffield, as he meditates on process and practice and what Patrick Caulfield's, The Hermit reveals to him.

Lou Mensah in conversation with Ken Nwadiogbu, Sarah Dwyer & Dr. Sophie Bagge about Hospital Rooms ambitious project at Hellesdon Hospital, transforming NHS mental healthcare spaces through art.
Art Review
Shade Art Review which debuted in September 2023, is a biweekly arts and culture magazine on Substack.
- Reviews
- Comments

Dale Berning Sawa reviews John Akomfrah's British Council commission Listening All Night To The Rain.

Anne Kimunguyi reviews Nigeria Imaginary at the Nigerian Pavilion, where Yinka Shonibare's Benin Bronze replicas join seven other artists exploring diaspora, memory, and future possibilities at Venice 2024.

Anne Kimunguyi reviews When We See Us: A Century of Black Figuration in Painting at Kunstmuseum Basel.

The 80s: Photographing Britain exhibition at Tate Britain reaffirms photography's role in Black art narratives, by Lou Mensah.

Artists Nnena Kalu, Rene Matić, Mohammed Sami and Zadie Xa. Serious painting, sculptural cocoons and conceptual sophistication are in the running for this year's £25,000 award. By Shade contributor, Dale Berning Sawa.

In emajendat at Serpentine South Gallery, the LA artist recreates a funkadelic slice of the South Central everyday. By Shade contributor, Dale Berning Sawa.

Honouring Faith Ringgold, Lorraine O'Grady, and other overlooked pioneers. By guest contributor, Greta Morton Elangué.

In Zvakazarurwa at Kettle's Yard, the Harare-based artist uses lace and foliage and bone-deep feeling to build images of protection and resistance.

Spotlight on the 2024 iteration, by guest contributor Anne Kimunguyi.

A guest review of the artist's Barbican retrospective, by Oluwatobiloba Ajayi.

Field notes from asking arts organisations to actually pay people, by Lou Mensah.

A rolling document highlighting art sector responses since Nov 16 2023, by Lou Mensah.

The London-based British Jamaican photographer documents life on her homeland island with grace and attentiveness.

Daniel C. Blight and Lou Mensah discuss the author’s book, which argues that the invention and continuance of the ‘white race’ is not just a political, social, and legal phenomenon – it is also visual.

Lauren Michele Jackson and Lou Mensah discuss White Negroes: When Cornrows Were in Vogue, exploring how new whiteness thrives at the expense of Black culture, intensifying racial inequality.

Anne Kimunguyi considers Perucchini's ethereal figures: “Could our world be their chessboard?”

Anne Kimunguyi reminds us that “recuperation can be more than a reactive act in the face of a shared sense of exhaustion.”

Celebrating the 2024 Lagos Biennial through the work of Temitayo Ogunbiyi. Anne Kimunguyi explores how root-like structures invite play as liberation and commemoration.

Anne Kimunguyi considers the artists work, whose “dreamy illustrations explore time and place as overlapping entities.”

Since Goldin's breakthrough show, no Black photographer has been celebrated for similar intimate work. Maybe Black artists feel unsafe exposing vulnerability— our bodies historically mistreated and misrepresented.

Rare honest reviews of Black artists spark backlash fears. DuBois Shaw's bold Lawson critique shows we need rigorous discussion over cheerleading. Quality matters more than fear of controversy.
Donald Rodney and Francessca Woodman. Comparing how present vs absent bodies map loss—both resonate with my experience as a sick artist.

Lou breaks down why Adrian Piper gets mislabeled as an "identity artist" when her Mythic Being performances were rigorous philosophical investigations into constructed identity.

The art world moved from identity-focused Black art to abstraction post-2020. Is abstraction easier to sell? Lou examines the market shift and power dynamics at play.